Tuesday, 7 October 2014

Meet the Cast - John Lunman


John Lunman

For John, timing was everything when it came to landing a role in The Drawer Boy.

 I wanted to be part of this show because over the last few years I have seen the Borelians do some very interesting shows (and some unusual ones) but I was always tied up with another show or just missed the audition or some other catastrophe… so I paid really close attention this season and wrote things down (see Ma – it works!). The Drawer Boy has been a show I have wanted to audition for for quite some time – so I am glad to have finally gotten the chance.

John is playing the role of Angus in The Drawer Boy.  Angus is a farmer from Clinton, Ontario who struggles with memory loss due to a traumatic brain injury he suffered during World War II.  For roughly 30 years, Angus and his friend Morgan have carved out a quiet existence raising cows and chickens on their small parcel of land, a repetitious way of life that has kept Angus content in its structure and patterns.

Unlike his character’s time on the farm, John’s dynamic theatre background has been filled with variety.

I have been involved in theatre both professionally and in the community for 47 years. My first directorial experience was adapting Tennyson’s, The Highwayman to the stage in Grade 6 at Our Lady of Perpetual Motion Catholic School. My first community theatre experiences were with the Domino Theatre in Kingston Ontario back when I was in High School. I went to Ottawa University and completed my BA in Theatre: Directing, which included an opportunity to apprentice at the National Arts Centre under John Wood. I have done shows steadily ever since…alternating between directing, acting and when I was still young enough, fight choreography.  My other skill is as a dramaturge…. I read plays the way others read books – about 200 a year and I keep a lending library for those who ask or I will find you scripts to your specifications.

To say that John’s acting resume is prolific would be an understatement.  He has worked all over Durham Region (and beyond) on adaptations of Shakespeare, in modern Canadian plays, classics, comedies, festivals… he has even won an award (best villain) for his portrayal of  Thomas Cromwell at the Ontario Renaissance Festival. 

In the area in the last year or so, I have directed Shakespeare’s The Tempest for Durham Shoestring Performers; played William the Bum in George F. Walker’s Criminals in Love for the Peterborough Theatre Guild; and played Scrooge (with my daughter as Tiny Tim) for Whitby Courthouse Theatre. Also for WCT I finally got to be in a musical and played The Narrator for The Rocky Horror Show.


The Borelians and Port Perry Town Hall Players are thrilled to have John working with them for the first time.  Watching him bring Angus to life in rehearsals has been an unforgettable experience for the entire group.  Don’t miss your chance to see John in The Drawer boy, this October at Town Hall 1873 in Port Perry.  Tickets are on sale now!


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Wednesday, 24 September 2014

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Monday, 22 September 2014

Meet the Cast - Kyle Dickie

Kyle Dickie


Kyle is likely a familiar face to theatregoers in the Durham Region.  Most recently he played the Man of Many Roles (Prince Herbert, Not Dead Fred, etc.) in the Scugog Choral Society’s production of Spamalot; but, since his rather humble beginnings as an actor, he has been constantly performing in this area for almost a decade.

“I started participating in Community Theatre in 2005 in Uxbridge Youth Theatre’s production of Footloose. Originally I volunteered for back stage help, but was placed in the chorus due to lack of cast. Ever since then, I’ve been hooked!” 

When he first learned that the Borelians and Port Perry Town Hall Players were producing The Drawer Boy, Kyle rushed out to buy a copy of the script so that he could prepare for the audition. He loved what he read in the script and was enthused at the prospect of working on such an iconic piece of Canadian theatre. Needless to say, he got the role!

“I am playing the role of Miles in this production. Miles is a young, energetic actor from Toronto who has come to Clinton with a group of actors to learn about farming. Miles stays with two farmers, Morgan and Angus, while he learns about the ways of the farm and attempts to write his share of a collective play. Over the course of the show, through Miles’ questions and comments, we begin to learn the intriguing story of Morgan and Angus.”

Kyle’s character is based on a living person, Miles Potter, who was part of the Theatre Passe Murialle collective that created The Farm Show, an historic achievement in Canadian Theatre. The Farm Show has long been seen as an example of how theatre can have a social impact and even change the lives of its participants. By the sounds of it, theatre has made some strong impressions on Kyle, too.

“Every show I've been a part of leaves a lasting memory on me, mostly due to the fantastic individuals that I get to meet and work with and all of the friendships that are made.”

Life in the theatre has helped Kyle to experience things he never thought possible and he has also learned to value the unique perspective that actors are privy to.

“Before each show, right before you go on, is probably one of the most nerve-wracking feelings for me. During my first show in University, I had a fellow actor state that if you’re nervous before a show, it’s because you really care about it. It’s one lesson that’s stuck with me. Theatre allows you to experience the vulnerability of each character and then step back inside yourself.”  

The Drawer Boy will mark the first time that Kyle has performed on stage with the Borelians and he couldn't be more thrilled to be a part of the season.  Watch for him this October when The Drawer Boy hits the stage at Town Hall 1873 in Port Perry, Ontario.


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Tuesday, 16 September 2014

Meet the Director - Helen Coughlin


Helen Coughlin


Borelians Community Theatre is delighted to have Helen Coughlin as The Drawer Boy’s director.  When the group first started considering the play for their 44th theatrical season, it was clear from the very beginning that the script had special meaning for Helen and that it had been an important part of her life for quite some time.

"I have always loved The Drawer Boy. I first saw the Toronto production over a decade ago and really wanted to direct the show once I saw it. After pursuing that dream with Theatre on Main in Newmarket, [that production became] the first community theatre group in Canada to obtain rights to perform the play in 2002. Coincidentally, The Drawer Boy was part of the Grade 12 English curriculum that I was teaching at the time, so I was also able to bring it to my students…. They loved it!"
  
Although this is Helen’s first time directing with the Borelians, it is certainly not the only time she has worked with the group.   In recent years, Helen has volunteered her talents as Stage Manager for the Borelians production of Drama at Inish, and she also worked backstage and in the sound booth on Wait Until Dark.

"I love the excitement of theatre....group collaboration, creative energy in all aspects of the production from designing the set, directing or acting in a show. Seeing the transformation from written script to live production is always awesome! It can be all consuming and takes you to a different place. It is lots of work, but you can see your results evolve. Then there's the rush of adrenalin on opening night!!"

Helen sure has had her fair share of opening nights!  Some of her fondest theatre memories are from acting in productions like, The Memory of Water (for Theatre on Main in Newmarket) and Here on the Flight Path (for Newmarket Stage Company). She has honed her skills as a director on several other productions as well, such as Having Hope at Home (for Theatre Aurora) and Beauty and the Beast (for the American School of Kuwait).

Helen seems right at home working on The Drawer Boy.  She seems deeply connected to the play and watching her in rehearsals gives the impression that the story and characters have formed a constant part of her life in theatre and in Port Perry.


"The play really speaks to me on a number of levels: it is both drama and comedy, features delightful characters, and is so human. I never get tired of seeing it, and I am always moved by it. I am always delighted to work on a Canadian play, particularly one that features rural Ontario."


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Monday, 8 September 2014

Meet the Cast - DAVID GEENE

David Geene
   
  David Geene will be playing the role of Morgan, a farmer who lives with his close friend  on a small farm in Clinton, Ontario. 

     When asked to describe his character, David said,

“I (Morgan) am in my fifties, and have lived on this farm with Angus since 1942. We bought the place after coming back from the war. Unfortunately Angus had been injured in a bombing raid and needed looking after. He had lost his memory you see, so he needed some help with remembering. So, we’ve raised some cows, chickens and eggs, pigs, and we grow crops, including hay. It's not an easy life:  working 24/7, not making much money, and not having any family or sons to pass the farm down to. That makes me a little cantankerous. But there is even more that unsettles me. There was a woman in my life, an English girl I met during the war. Her name was Frances, and she came back with me to live here in Ontario… She hasn't been around for quite some time….  There's a story behind that, but you'll have to come and see the show to hear it.

     David may be a familiar face to theatregoers in the Port Perry area.  He has performed in many Borelians productions in the past, such as A Streetcar Named Desire, in which he played Mitch; and Our Town, in which he played the Stage Manager.  For both of those roles, he was nominated for ACT-CO (Association of Community Theatre-Central Ontario) performance awards.

 “My first show in this area was in Uxbridge and I have particularly good memories of taking on two difficult roles: Lenny in Of Mice and Men, a developmentally delayed large man; and last fall I took on the role of contemporary artist Mark Rothko in the play Red, a challenging megalomaniac, full of himself, but fragile too.”

     For the role of Mark Rothko, David also received an ACT-CO nomination for Best Male Actor in a Leading Role. 

“What I do on stage comes from working with a number of great directors and cast mates, being passionate about learning my character and my role, and working with a wonderful community of actors.

     When not seen on-stage, David can often be found backstage where he has worn many hats.  For their 2013-2014 season David designed the sets for the Borelians’ production of Wait Until Dark, and he was producer and set designer on Drama at Inish.  In Uxbridge, he was the musical director for Into The Woods, which garnered him another ACT-CO nomination.

     Surprisingly, the theatre didn't find David until 2004.  Before that he was a community musician as well as a professional tuba player in London and Toronto.  He is also an active singer and has sung in several semi-professional and professional choirs and church choirs.

“I have no training in theatre, except for living the life I do ... Believe it or not, I am an introvert, deep down. As a kid, I was very shy (not the same thing, but related). I have had lots of anxiety about being in front of people. But at the same time, I have learned to put myself out there, to be prepared, and become more and more comfortable and confident in a presentation setting, whether in my role as a school administrator, a speaker, a chair person, a musician, or as an actor. I still get nervous of course. I am also a reader and a thinker, and being involved in plays has allowed me to explore in a very hands-on way the depths of a character, the world he lives in, the people with whom he interacts. I find that totally engaging and transporting.”

You can see David Geene in the role of Morgan beginning October 16th, 2014, when the Borelians Community Theatre  and Port Perry Town Hall Players’ production of The Drawer Boy hits the stage.



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Monday, 1 September 2014

Director of The Drawer Boy, Helen Coughlin, at the annual Port Perry Fair, standing with Daisy the Cow and farm-staff from Elmcroft Holsteins.



via Instagram http://ift.tt/W2LCJe

The Drawer Boy at the Port Perry Fair!!

This Labour Day weekend was the annual Port Perry Fair, a much anticipated, yearly celebration of agriculture and local talent!

Speaking of local talent!!  We found Helen Coughlin, director of the The Drawer Boy, out and about at the livestock pavilion of the fair doing research for the show!! She had a chance to meet some fascinating people (some cows too!) and ask some questions about farm-life and what it is like to work with the animals. 

Here's Helen with farm-staff from Elmcroft Holsteins, being introduced to a cow we are pretty sure was named Daisy.  


Did you know that, in the play, young Miles, a theatre performer from Toronto, has travelled to a smalltown farm to learn about farm-life for a play he is writing?  He meets Morgan and Angus, two farmers that teach him what it is like to work on a farm and raise livestock.  

Perhaps Helen's visit to the Port Perry Fair was a case of life imitating art!



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Wednesday, 23 July 2014